The history of furniture design cannot overlook the legacy of an institution as significant as the Consorzio La Permanente Mobili, founded in 1893 through the initiative of a group of highly skilled artisans from Cantù.

Their goal was to join forces to showcase their work to the public—primarily in Milan at the time—within a single, grand exhibition space. This allowed for a comprehensive presentation of Cantù’s furniture production, facilitating sales while also serving a broader purpose.

Beyond commerce, the consortium has always been a vital hub for its members, fostering collaboration, dialogue, and the exchange of expertise. Over the years, this continuous sharing of knowledge and craftsmanship has played a key role in establishing Cantù furniture as a symbol of excellence worldwide.
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Quinta Selettiva, 1963. The jury members Paul Reilly, Finn Juhl, Franco Albini, Pier Giacomo Castiglioni - Photo by Gianni Paini
For over a century, La Permanente Mobili di Cantù has given voice to visionary designers, transforming their groundbreaking ideas into timeless icons of design. Today, with the re-edition of our collection, “Selettiva for All”, we open a new dialogue between the past and the present — celebrating the artistry and creativity that have always shaped our legacy.

As Marcel Proust once said, “The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.” Inspired by this idea, the collection invites you on a journey — not to uncharted lands, but to a rediscovery of what already exists, seen through a fresh lens. Each piece is a tribute to the designers who shaped our heritage, now reinterpreted with modern sensibility. The result is a delicate balance of past and present, where every product reveals surprising forms and details that resonate today.

Selettiva for All is not about mere reproduction, but about evolution. It is a collection where memory and innovation meet, where design’s rich legacy lives on, constantly transforming and adapting. Every detail tells a story — of craftsmanship, experience, and an enduring passion for Italian artisanal excellence.
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For over a century, La Permanente Mobili di Cantù has been the meeting point between visionary design and the excellence of Italian craftsmanship. Today, strengthened by its history and the network of expertise that the consortium represents, it looks toward the future with the goal of reinforcing its presence in the furniture market, both in Italy and internationally.

Our mission is clear: to bring the value of Cantù furniture to the world, preserving the tradition of artisanal quality while embracing new forms of design and collaboration.

La Permanente Mobili di Cantù is not just a name in the history of furniture—it is a laboratory of ideas, an ecosystem of excellence that looks ahead. With a vision set on the future, we will continue to transform designers’ creativity into timeless creations, carrying the quality and savoir-faire of Cantù across the world.
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  • C
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  • T
  • Carlo Hauner
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    Carlo Hauner, born in 1927 in Brescia, Italy, was a designer in the fields of textiles, ceramics, furniture, and architecture. He studied technical drawing at the Accademia di Brera in Milan in 1936. In 1948, he showcased his work at the Venice Biennale and subsequently moved to Brazil, where he established a furniture production company. He purchased a factory from Lina Bo Bardi and Pietro Bardi, renaming it Móveis Artesanal. In 1953, Hauner met Martin Eisler, with whom he established a successful partnership. They opened Galeria Artesanal, a showroom for their furniture, on a bustling street in São Paulo. Eventually, Móveis Artesanal became Forma, a leading furniture production company in Brazil.

  • Ilmari Tapiovaara
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    Born in Finland in 1914, Ilmari Tapiovaara was an interior architect renowned for his work in furniture and textiles. He was a key figure in "Scandinavian Modernism." After graduating in 1937, he worked as an apprentice in Le Corbusier’s studio in Paris, and later joined Asko, Finland’s largest furniture company, as a designer and artistic director. In 1951, Tapiovaara established his own studio, taking on various freelance projects. He admired Alvar Aalto’s designs and aimed to carry forward Aalto’s principles in his work. Over his career, Tapiovaara received numerous awards, including six Gold Medals at the Milan Triennials, the Good Design Award in Chicago in 1951, the Pro Finlandia Medal in 1959, the Finnish State Design Prize in 1971, and the Furniture Prize of the SIO Interior Architects’ Association of Finland in 1990.

  • Niko Kralj
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    Niko Kralj was born in 1920 in Zavrh pri Trojanah, northeast of Ljubljana. Inspired by his father, he spent his teenage years working as a joiner. After losing his family during World War II, Kralj pursued his education in architecture, graduating in 1952. His most famous furniture designs include the "Rex" chair series, "Mosquito" chairs, and the "Shell Lounge." Over his career, Kralj registered 118 patents and models, showcased his work in 94 exhibitions, and published over 100 articles on design. He received numerous awards, including three first prizes and one second prize in the Mostra Selettiva e Concorso Internazionale del Mobile in Cantù, Italy, in 1957, 1963, and 1965.

  • Peter Karpf
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    Peter Karpf, born in Copenhagen in 1940, is a Danish architect and designer renowned for his innovative approach to furniture design. He began his career in the late 1950s, training as a cabinet maker with Fritz Hansen, and later studied at the Copenhagen School of Arts and Crafts in the early 1960s. Throughout his career, Karpf collaborated with prominent figures such as Grete Jalk and Arne Jacobsen, honing his skills and developing a distinctive design philosophy. He is particularly noted for his experiments with bending single pieces of wood to create sculptural furniture, resulting in minimalist yet functional designs. His pieces are featured in major institutions such as MoMA in New York and the Victoria & Albert Museum in London.

  • Pieter De Bruyne
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    Pieter De Bruyne, born in Belgium in 1931, was a prominent interior architect, furniture designer, and a pioneer of postmodernism. Throughout his career, he designed over 200 furniture pieces and objects, more than 175 interior and architectural projects, and five chandeliers for Arteluce (Gino Sarfatti) and Stilnovo. In 1953, De Bruyne graduated from the Sint-Lucas School in Brussels. He won several design competitions, including La Permanente Mobili di Cantù in 1961. Known for his inspiration from travel, De Bruyne incorporated many exotic elements into his designs, especially after 1970. His entire archive is housed at the Design Museum Gent.

  • Taichiro Nakai
    []

    Taichiro Nakai was a Japanese designer active after World War II, known for his contributions to bringing Japanese design to international recognition. Unfortunately, little is documented about his life and achievements, as he has largely been overlooked in design history. One of the few known details about him is his participation in the Prima Mostra Selettiva del Mobile in Cantù, from September 17 to October 5, 1955. There, Nakai designed an interior setting that included a corner sofa, a coffee table, shelving, armchairs, and lamps. His work represented a perfect blend of international modern design and traditional Japanese elements, balancing simplicity with elegance.

Carlo Hauner, born in 1927 in Brescia, Italy, was a designer in the fields of textiles, ceramics, furniture, and architecture. He studied technical drawing at the Accademia di Brera in Milan in 1936. In 1948, he showcased his work at the Venice Biennale and subsequently moved to Brazil, where he established a furniture production company. He purchased a factory from Lina Bo Bardi and Pietro Bardi, renaming it Móveis Artesanal. In 1953, Hauner met Martin Eisler, with whom he established a successful partnership. They opened Galeria Artesanal, a showroom for their furniture, on a bustling street in São Paulo. Eventually, Móveis Artesanal became Forma, a leading furniture production company in Brazil.

Born in Finland in 1914, Ilmari Tapiovaara was an interior architect renowned for his work in furniture and textiles. He was a key figure in "Scandinavian Modernism." After graduating in 1937, he worked as an apprentice in Le Corbusier’s studio in Paris, and later joined Asko, Finland’s largest furniture company, as a designer and artistic director. In 1951, Tapiovaara established his own studio, taking on various freelance projects. He admired Alvar Aalto’s designs and aimed to carry forward Aalto’s principles in his work. Over his career, Tapiovaara received numerous awards, including six Gold Medals at the Milan Triennials, the Good Design Award in Chicago in 1951, the Pro Finlandia Medal in 1959, the Finnish State Design Prize in 1971, and the Furniture Prize of the SIO Interior Architects’ Association of Finland in 1990.

Niko Kralj was born in 1920 in Zavrh pri Trojanah, northeast of Ljubljana. Inspired by his father, he spent his teenage years working as a joiner. After losing his family during World War II, Kralj pursued his education in architecture, graduating in 1952. His most famous furniture designs include the "Rex" chair series, "Mosquito" chairs, and the "Shell Lounge." Over his career, Kralj registered 118 patents and models, showcased his work in 94 exhibitions, and published over 100 articles on design. He received numerous awards, including three first prizes and one second prize in the Mostra Selettiva e Concorso Internazionale del Mobile in Cantù, Italy, in 1957, 1963, and 1965.

Peter Karpf, born in Copenhagen in 1940, is a Danish architect and designer renowned for his innovative approach to furniture design. He began his career in the late 1950s, training as a cabinet maker with Fritz Hansen, and later studied at the Copenhagen School of Arts and Crafts in the early 1960s. Throughout his career, Karpf collaborated with prominent figures such as Grete Jalk and Arne Jacobsen, honing his skills and developing a distinctive design philosophy. He is particularly noted for his experiments with bending single pieces of wood to create sculptural furniture, resulting in minimalist yet functional designs. His pieces are featured in major institutions such as MoMA in New York and the Victoria & Albert Museum in London.

Pieter De Bruyne, born in Belgium in 1931, was a prominent interior architect, furniture designer, and a pioneer of postmodernism. Throughout his career, he designed over 200 furniture pieces and objects, more than 175 interior and architectural projects, and five chandeliers for Arteluce (Gino Sarfatti) and Stilnovo. In 1953, De Bruyne graduated from the Sint-Lucas School in Brussels. He won several design competitions, including La Permanente Mobili di Cantù in 1961. Known for his inspiration from travel, De Bruyne incorporated many exotic elements into his designs, especially after 1970. His entire archive is housed at the Design Museum Gent.

Taichiro Nakai was a Japanese designer active after World War II, known for his contributions to bringing Japanese design to international recognition. Unfortunately, little is documented about his life and achievements, as he has largely been overlooked in design history. One of the few known details about him is his participation in the Prima Mostra Selettiva del Mobile in Cantù, from September 17 to October 5, 1955. There, Nakai designed an interior setting that included a corner sofa, a coffee table, shelving, armchairs, and lamps. His work represented a perfect blend of international modern design and traditional Japanese elements, balancing simplicity with elegance.